Jason Statham Stole My Bike: Statham as Himself Returns

Jason Statham reunites with director David Leitch for the action-comedy Jason Statham Stole My Bike, a self-aware, PG-13 project shot to begin in May 2026 with a reported budget above $80M and strong buyer interest.

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Jason Statham Stole My Bike: Statham as Himself Returns

3 Minutes

What we know so far

Jason Statham is set to play a version of himself in the upcoming action-comedy Jason Statham Stole My Bike, a high-profile project that debuted at the European Film Market in Berlin and quickly became one of the most sought-after titles for international buyers. Directed by David Leitch — the stunt- and action-savvy filmmaker behind Deadpool 2, Bullet Train and The Fall Guy — the film reunites a creative team that previously clicked on Fast & Furious Presents: Hobbs & Shaw.

Filming is scheduled to begin in May 2026. The reported production budget tops $80 million, a hefty sum for what’s currently moving through the independent sales circuit in Berlin and a sign of high expectations for global distribution.

Tone, cast and creative pedigree

Specific plot beats remain under wraps, but reports peg the movie as a PG-13 action-comedy with a self-aware, satirical tone. Statham will play “Jason Statham” — a star version of himself — and the screenplay is written by Alison Fleerl, whose credits include BoJack Horseman and School of Rock. That combination suggests a script capable of mixing sharp comedic beats with set-piece action.

David Leitch’s résumé promises slick choreography and large-scale stunts; his previous films balance stuntcraft with humor and speed, from the kinetic ensemble of Bullet Train to the anarchic tone of Deadpool 2. Statham’s proven box-office draw — his track record includes The Meg, multiple Fast & Furious titles and The Beekeeper — makes the project attractive to streamers and distributors alike. Even Amazon is reportedly considering a bid for the rights.

Why this matters

Meta-comedies where stars play exaggerated versions of themselves aren’t new — think This Is the End or Being John Malkovich’s surreal premise — but few combine that conceit with big-budget action. The result could be closer in spirit to Operation Fortune: Ruse de Guerre, where Statham’s natural deadpan meets heightened set pieces, or Hobbs & Shaw’s chemistry-driven spectacle. If Leitch leans into both broad comedy and expertly crafted action, the film could carve out a fresh niche in the action-comedy market.

Behind the scenes, the project signals two industry trends: the continued appetite for recognizable action stars in streaming-era tentpoles, and buyers’ willingness to invest in mid-budget spectacle that travels internationally. The Berlin marketplace buzz shows buyers are hungry for high-concept films that promise international appeal and monetizable talent.

Even with details scarce, the combination of Statham, Leitch and a comedy-savvy writer makes Jason Statham Stole My Bike one of 2026’s more intriguing upcoming previews. Expect sharp stunt work, wink-driven humor and a public friendly PG-13 sheen — and keep an eye on streaming platforms for distribution news as the market unfolds.

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