3 Minutes
Think Fast & Furious on two wheels. That's the shorthand you can expect after Deadline broke the news: Alan Ritchson has signed a significant film deal with Netflix, and the first project under that pact is an untitled MotoGP-centered heist thriller.
The film sets up an audacious premise. A globe-trotting crew of riders targets priceless antiquities and historic artifacts, slipping past borders the way a superbike slips through a tight chicane. Ritchson will play a professional MotoGP rider drafted by Interpol to hunt them down. But nothing is straightforward: a twist looms when the investigation points toward his brother—assumed dead for years—suggesting loyalties and family ties are about to collide with the open road.
Ritchson isn't just the star. He will also serve as a producer through his company, Dancing Skeleton, joining forces with longtime Fast & Furious scribe Chris Morgan, Ainsley Morgan, Joe Roth and Jeff Kirschenbaum. Chris Morgan is writing the screenplay, which producers say leans into the same high-octane, stunt-driven DNA that made the Fast franchise a global draw—except this time racing bikes, not cars, take center stage.

The comparison is intentional. Motorcycles change the physics of a chase; the danger feels closer, the risk more exposed. Visuals will matter: split-second passes, wheel-to-wheel duels, the close-call poetry of two riders threading a narrow gap. If the production leans into that kinetic choreography, the result could feel fresh even to franchise-weary audiences.
Details remain thin. The picture has no official title yet and Netflix has not announced a release date. What is clear from the report is that this is only the opening chapter. Under the terms of the deal, Ritchson will continue to develop and star in additional Netflix feature films after the MotoGP project wraps. His television commitments, however, remain separate—he already has a TV deal with Prime Video.
The move marks a notable push for Ritchson from cult-favorite action lead into a bona fide blockbuster player, both in front of and behind the camera.
For fans of high-speed cinema and globe-spanning crime stories, this one ticks a lot of boxes: star power, proven producers, and a hook that swaps four wheels for two. Will Netflix aim for big-city set pieces or a more grounded, character-driven chase? Either way, expect the studio to sell the thrill—hard.
Keep an eye on Deadline and official Netflix channels for casting updates, a title reveal, and the first glimpses of what promises to be a very loud, very fast new entry in the heist-genre playbook.















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