Sonny Curtis Dies at 88 — Wrote Mary Tyler Moore Theme

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Sonny Curtis Dies at 88 — Wrote Mary Tyler Moore Theme

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From Texas cotton fields to the soundtrack of television

Sonny Curtis, the singer-songwriter who helped steer the sound of early rock and later wrote the instantly recognizable theme to The Mary Tyler Moore Show, has died at 88. The news was shared by his daughter Sarah, who said he passed after a sudden illness and that she and his wife were with him. Curtis’s career bridged rock and roll history and television’s golden age of theme music — a rare crossover that left an enduring mark on both popular music and broadcast culture.

Born May 9, 1937, in Meadow, Texas, Curtis learned guitar as a child in a musical family. He was a schoolfriend of Buddy Holly and became a member of Holly’s backing group, The Crickets, joining officially in the late 1950s as the band’s lineup evolved. Over the decades Curtis wrote and recorded songs that were widely covered and reinterpreted across genres — from country and pop to punk rock — including “I Fought the Law,” “Walk Right Back,” and “More Than I Can Say.” Those songs gave him a legacy that extended far beyond his own performances: they were adopted by artists as diverse as The Bobby Fuller Four, The Clash, Green Day, The Everly Brothers, and Leo Sayer.

A theme song that defined a show

Curtis’s most widely heard original composition may be “Love Is All Around,” the 1970 theme for The Mary Tyler Moore Show. Commissioned for a sitcom that reshaped how television depicted single, career-centered women, the song’s uplifting melody and optimistic lyric became shorthand for the series’ forward-looking tone. Curtis originally demoed a version with a different, more anxious inflection, but he reworked the piece into the brighter arrangement that viewers of all generations now recognize.

A memorable behind-the-scenes anecdote captures how quickly the song caught on: Curtis played it simply — just him and his guitar — for co-creator James L. Brooks in an otherwise empty room. According to Curtis, Brooks started phoning people during the performance, packed the room, and had the session recorded on the spot. The theme went on to be covered by a variety of artists, from jazz interpretations by Sammy Davis Jr. to a rock take by Joan Jett & the Blackhearts, underscoring the tune’s adaptability.

Legacy, honors and context

Curtis was inducted into the Rock and Roll Hall of Fame in 2012 as a member of The Crickets; he was also honored by the Nashville Songwriters Hall of Fame (1991) and the Musicians Hall of Fame and Museum (2007). These accolades reflect a dual legacy: the postwar rise of rock and roll and the era when television themes functioned as cultural signatures for shows.

Today, many classic TV themes are remembered as much as the series they introduced — compare “Love Is All Around” with themes like “Where Everybody Knows Your Name” (Cheers) or “I’ll Be There For You” (Friends). But the landscape has shifted: streaming dramas and comedies often favor shorter cues or licensed pop songs over bespoke theme compositions, making Curtis’s work a reminder of a time when a single tune could set a show’s tone for years.

"Curtis’s career is a rare example of a songwriter who comfortably inhabited both popular music and television scoring," says cinema historian Elena Moreno. "His theme for Mary Tyler Moore is economical but emotionally precise; it communicates setting and character in under half a minute, which is a vanished art in contemporary series."

Curtis is survived by his wife of more than 50 years, Louise. His songs continue to appear in soundtracks and covers, and his influence is audible wherever MTV-era rock, country-pop balladry and classic sitcom themes intersect.

Whether encountered in a film soundtrack, a TV montage, or a cover by a punk band, Curtis’s work remains part of the shared musical vocabulary of modern media — a quiet but lasting presence in both broadcast history and popular music.

Source: deadline

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