Tartakovsky Directs Animated Game of Thrones Spin-Off

Gendy Tartakovsky is set to direct 9 Voyages, an animated Game of Thrones spin-off focused on Lord Corlys Velaryon. Learn why HBO moved to animation, how Tartakovsky’s style fits, and what fans can expect.

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Tartakovsky Directs Animated Game of Thrones Spin-Off

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Gendy Tartakovsky to Helm '9 Voyages' — an Animated Westeros Tale

Gendy Tartakovsky, the animator behind Samurai Jack and early Hotel Transylvania work, is reportedly attached to an animated Game of Thrones spin-off centered on Lord Corlys Velaryon — the Sea Snake. The project, likely titled 9 Voyages, reimagines the nautical exploits of one of House of the Dragon's most charismatic figures. In the live-action series, Corlys is played by Steve Toussaint; in this new iteration, animation opens up fresh possibilities for scale, action, and mythic worldbuilding.

Why animation — and why Tartakovsky?

George R.R. Martin and HBO originally considered a live-action limited series for Corlys; Bruno Heller was once attached. Budget constraints, however, changed course and nudged the concept toward animation. That pivot mirrors a broader industry trend: premium franchises using animation to contain costs while expanding lore. Tartakovsky’s kinetic style — sharp silhouettes, fluid combat, and bold visual storytelling — seems a natural fit for sea battles, dragon-lore flashbacks, and the political maneuvers of Old Valyria’s heirs.

What fans can expect

Expect a tighter focus on maritime adventure and House Velaryon’s legacy: long voyages, naval strategy, and legendary encounters that are tricky to stage in live action without huge budgets. Comparisons to adult animated fantasy like Castlevania are inevitable — both aim to combine mature themes with stylized action — but Tartakovsky’s influence suggests faster pacing and distinct visual choreography, recalling Samurai Jack’s economical storytelling.

HBO’s wider Game of Thrones strategy

HBO is developing multiple spin-offs, from rumored Jon Snow/Arya continuations to projects like 10,000 Ships (reported to involve writer Ebony Booth) and other writer-driven expansions. Executives say smaller-scale hits such as A Knight of the Seven Kingdoms helped justify experimenting with lower-cost formats and more varied creative voices.

Fans have mixed reactions: excitement about Tartakovsky’s pedigree and curiosity about animated canon, tempered by concerns over tone and continuity. Still, animation can deliver the sweeping, imaginative set pieces that Westeros’ deep history deserves.

Concluding note: If Tartakovsky brings his signature visual verve to Corlys Velaryon’s voyages, 9 Voyages could become a bold, cinematic addition to the franchise — one that proves animation is a smart way to deepen a beloved fantasy world without losing spectacle or heart.

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